{"id":10252,"date":"2016-07-09T15:24:51","date_gmt":"2016-07-09T15:24:51","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=10252"},"modified":"2016-07-09T16:37:04","modified_gmt":"2016-07-09T16:37:04","slug":"interviu-cu-arh-oana-tiganea","status":"publish","type":"post","link":"https:\/\/www.artout.ro\/lounge\/articole-art-out\/interviu-cu-arh-oana-tiganea\/","title":{"rendered":"Interviu cu Arh. Oana \u0162IGANEA, coordonator proiect cultural \u201cMina de Idei Anina\u201d"},"content":{"rendered":"

\"13517378_674034449417930_19643624524938556_o\"<\/a><\/p>\n

Putul I din Anina.\u00a0 Poster: Maria Mandea (generatia „Mina de idei Anina” 2015); Sursa: pagina de facebook a grupului Mina de Idei Anina. Anina Mine of Ideas<\/em><\/h6>\n

Acest interviu realizat de Art Out<\/em> vine ca \u0219i o completare la noul num\u0103r ce va fi publicat \u00een cur\u00e2nd. Prin aceste articole se dore\u0219te punerea \u00een eviden\u021b\u0103 a Patrimoniului Na\u021bional Rom\u00e2nesc \u0219i a persoanelor care sunt implicate \u00een astfel de activit\u0103\u021bi.<\/p>\n

\"13508895_10154732051298465_336320560739662871_n\"<\/a><\/p>\n

Arh. Oana \u0162IGANEA; Sursa: pagina personala de facebook a Arh. Oana \u0162IGANEA, poza realizata de Teodora Ungureanu<\/em><\/h6>\n

Ciot\u0103u Adriana<\/strong>:\u00a0<\/strong>Pentru \u00eenceput ne po\u021bi spune mai multe despre dezvoltarea ta ca specialist \u00een patrimoniu \u0219i ce a \u00eensemnat \u00een acest sens implicarea ta ca \u0219i organizator a atelierului \u201cMina de Idei Anina: Identitate cultural industrial\u0103\u201d.<\/p>\n

Oana \u021aIGANEA<\/strong>:\u00a0<\/strong>Interesul pentru patrimoniul arhitectural a ap\u0103rut manifestat \u00eenc\u0103 din anii de facultate (FAU Cluj Napoca \u2013 promo\u0163ia 2007), urma\u0163i fiind de cursuri de specialitate \u00een domeniu. Ceea ce merit\u0103 s\u0103 men\u0163ionez este experien\u0163a dob\u00e2ndit\u0103 \u00een ultimii 6 ani \u00een cadrul Politehnicii din Milano (It), unde m-am specializat \u00een patrimoniul industrial al secolului XX.<\/p>\n

\u00cen perioada 2010 \u2013 2013, am studiat arhitectura industrial\u0103 rom\u00e2neasc\u0103 din perioada socialist\u0103, urm\u0103rind at\u00e2t procesul s\u0103u de construc\u0163ie efectiv\u0103 c\u00e2t \u015fi destinul, transform\u0103rile sale fizice \u2013 materiale sub impactul deindustrializ\u0103rii. Astfel, m-am familiarizat at\u00e2t cu no\u0163iunea de patrimoniu industrial \u015fi toate aspectele care le implic\u0103 studiul, analiza \u015fi interven\u0163ia, c\u00e2t \u015fi cu problematica mo\u015ftenirii industriale a trecutului recent care \u00eenc\u0103 nu a dob\u00e2ndit \u00een contextul rom\u00e2nesc o recunoa\u015ftere patrimonial\u0103.\u00a0Astfel, c\u00e2nd a sosit propunerea dl. arh. Marius Barbieri la \u00eenceputul anului 2014 de a m\u0103 implica \u015fi organiza un proiect cultural \u00een Anina orientat spre studiul \u015fi valorificarea patrimoniului industrial, momentul nu putea fi mai oportun. Mi se oferea posibilitatea de a lucra \u00een ceea ce m\u0103 preg\u0103tisem \u00een perioada anilor doctorali aplic\u00e2nd cuno\u015ftin\u0163ele acumulate, dar \u015fi posibilitatea de a l\u0103rgi aria de abordare a industrializ\u0103rii \/ deindustrializ\u0103rii din Rom\u00e2nia. Mai mult, contactul cu teritoriul prin diferi\u0163ii actori locali \u015fi\/sau regionali implica\u0163i \u00een cadrul proiectului \u015fi cu comunitatea local\u0103 \u00eemi oferea posibilitatea de realiza pun\u0163i de leg\u0103tur\u0103 \u00eentre lumea academic\u0103 \u015fi realitatea decizional\u0103.<\/p>\n

Ciot\u0103u Adriana: A\u0219 vrea s\u0103 continui acest interviu cu c\u00e2teva \u00eentreb\u0103ri pentru a dezv\u0103lui mai mult despre acest proiect.\u00a0<\/strong>Cum a luat na\u0219tere acest proiect \u0219i care este scopul acestui proiect?<\/p>\n

Oana \u021aIGANEA: Ideea unui atelier de patrimoniu industrial la Anina a fost ini\u0163iat\u0103 de arhitectul Marius Barbieri (Capitel Proiect, Alba Iulia) \u00eenc\u0103 din 2012 \/ 2013, moment \u00een care se ocupa de coordonarea proiectului aferent Planului Urbanistic General al ora\u015fului Anina. \u00cen cadrul discu\u0163iilor cu administra\u0163ia local\u0103 \u00een procesul de elaborare PUG Anina, s-au observat o serie de probleme ce nu pot fi acoperite prin proiect cum ar fi gestiunea, promovarea \u015fi valorificarea patrimoniului cultural. Astfel, s-a pornit spre definirea unei metode de elaborare a unei strategii mai ample \u015fi de lung\u0103 durat\u0103 privind revitalizarea economic\u0103 a ora\u015fului prin valorificarea patrimoniului industrial local.<\/p>\n

Solu\u0163ia de \u00eenceput a fost considerat\u0103 oragnizarea unui\u00a0Atelier de patrimoniu industrial<\/em>, cu tent\u0103 interdisciplinar\u0103 adresat\u0103 studen\u0163ilor din \u0163ar\u0103 din cadrul facult\u0103\u0163ilor de arhitectur\u0103 \u015fi urbanism, geografie, geologie \u015fi mediu. A\u015fa s-a n\u0103scut \u00een 2014 prima edi\u0163ie a proiectului cultural \u201eMina de idei Anina\u201d.<\/p>\n

Ciot\u0103u Adriana:\u00a0<\/strong>Cum s-a desf\u0103\u0219urat realizarea acestui proiect din punct de vedere organizatoric de-a lungul a trei ani \u0219i spre ce direc\u021bie se \u00eendreapt\u0103?<\/p>\n

Oana \u021aIGANEA: \u00cen 2014, s-a elaborat o prim\u0103 propunere de proiect cultural orientat \u00een jurul unui atelier de patrimoniu industrial, ob\u0163in\u00e2nd finan\u0163are nerambursabil\u0103 \u00een sesiunea de finan\u0163are a proiectelor culturale din Timbrul de arhitectur\u0103 din partea Ordinului Arhitec\u0163ilor din Rom\u00e2nia. OAR \u2013 devenind practic finan\u0163atorul principal al proiectului. Acest aspect a r\u0103mas neschimbat p\u00e2n\u0103 \u00een prezent: toate cele trei edi\u0163ii ale proiectului au ob\u0163inut finan\u0163are nerambursabil\u0103 din partea OAR, fapt ce ne bucur\u0103 enorm \u015fi ne asigur\u0103, \u00eentr-o manier\u0103 direct\u0103, interesul manifestat de breasla arhitec\u0163ilor asupra problemelor teritoriale privind mediul construit.\u00a0Al\u0103turi de OAR, un partener stabil este \u015fi administra\u0163ia local\u0103 \u2013 Prim\u0103ria ora\u015fului Anina \u2013 care a r\u0103spuns extrem de pozitiv la fiecare propunere venit\u0103 din partea noastr\u0103, contribuind \u015fi la buna desf\u0103\u015furare a activit\u0103\u0163ilor \u00een teren, prin sus\u0163inerea p\u0103r\u0163ii logistice necesare. La urma urmei, administra\u0163ia \u015fi ca atare, ora\u015ful \u2013 comunitatea, sunt beneficiarii <\/em>direc\u0163ii ai acestui proiect \u015fi este normal\u0103 implicarea lor direct\u0103, aduc\u00e2nd o not\u0103 de pozitivism \u015fi entuziasm.\u00a0Pornind la drum cu parteneri precum Prim\u0103ria Anina \u015fi Ordinul Arhitec\u0163ilor din Rom\u00e2nia, am ajuns s\u0103 atragem aten\u0163ia \u015fi altor institu\u0163ii \u015fi asocia\u0163ii culturale locale \/ regionale, ajung\u00e2nd la aceast\u0103 edi\u0163ie la un total de 6 parteneri: Facultatea de arhitectur\u0103 \u015fi urbanism Timi\u015foara (UPT), OAR Filiala Timi\u015f, Asocia\u0163ia \u201eIl Giocattolo\u201d (Br\u0103det-Anina), Asocia\u0163ia PACT (Timi\u015foara), Asocia\u0163ia \u201eAtelier NOD\u201d (Baia Mare) \u015fi, partener media, Zeppelin.\u00a0Din punct de vedere organizatoric, constanta ce s-a p\u0103strat de-a lungul celor trei edi\u0163ii este atelierul de patrimoniu industrial. De\u015fi denumit diferit \u00een fiecare an \/ edi\u0163ie, am dorit s\u0103 p\u0103str\u0103m aceast\u0103 oportunitate adresat\u0103 studen\u0163ilor de a se familiariza cu no\u0163iunile specifice patrimoniului industrial \u015fi a problematicilor ridicate \u00een studiul, analiza \u015fi conservarea sa. \u00cen cadrul fiec\u0103rui atelier am \u00eencercat \u00eens\u0103 s\u0103 abord\u0103m progresiv probleme din ce \u00een ce mai complexe:<\/p>\n

La prima edi\u0163ie din 2014 – \u201eMina de idei Anina: Atelier interdisciplinar de regenerare post-industrial\u0103\u201d<\/strong> – ne-am familiarizat cu diversitatea patrimoniului industrial din Anina, analiz\u00e2nd modalit\u0103\u0163ile de integrare a acestuia \u00een viata urban\u0103 \u015fi socio-cultural\u0103 a ora\u015fului. Astfel s-a ajuns la ideea unei interven\u0163ii etapizate \u00een vederea organiz\u0103rii unui Muzeul industrial \u00een aer liber<\/em>, prin amenajarea unor trasee turistice.\u00a0\u00cen cadrul atelierului au fost invita\u0163i speciali\u015fti din domaniul patrimoniului industrial din \u0163ar\u0103 \u015fi str\u0103in\u0103tate, contribuindu-se astfel la un schimb de experien\u0163\u0103 \u201eproductiv\u201d pe latura patrimonial-industrial\u0103: dr. arh. Irina Iamandescu (UAUIM Bucure\u015fti, TICCIH Rom\u00e2nia), Mark Watson (Historic Scotland) \u015fi Francesco Carlo Toso (Politecnico di Milano).\u00a0Rezultatele atelierului au fost sintetizate \u015fi publicate \u00een cadrul unei bro\u015furi, at\u00e2t \u00een format digital c\u00e2t \u015fi printat: https:\/\/issuu.com\/asociatiaalbaverde\/docs\/anina_mine_of_ideas___2014_<\/a><\/p>\n

\"13501626_671069063047802_5693192622128642821_n\"<\/a><\/p>\n

(stanga) Vizita Regelui Ferdinand I si a Reginei Maria la Anina in 11 iunie 1926. Putul Ferdinand – actualul Put I. (dreapta) Putul I – iulie 2015. Foto: Ovidiu Micsa in cadrul workshopului „Mina de idei Anina” 2015; Sursa: pagina de facebook a grupului Mina de Idei Anina. Anina Mine of Ideas<\/em><\/h6>\n

\u00cen cadrul celei de a doua edi\u0163ii din 2015 – \u201eMina de idei Anina: Identitate cultural\u0103 post-industrial\u0103\u201d –<\/strong>tema de promovare a patrimoniului local prin turism cultural a r\u0103mas \u015fi a fost elaborat\u0103 mai \u00een detaliu. \u00cen plus, s-a realizat relevarea unui astfel de obiectiv de patrimoniu \u2013 Casa ma\u015finii de extrac\u0163ie din cadrul Pu\u0163ului I \u2013 asupra c\u0103ruia ulterior s-a orientat un proiect de conservare \u015fi punere \u00een valoare, aflat \u00eenc\u0103 \u00een proces de elaborare \u015fi redactare. Ce s-a n\u0103scut oarecum spontan \u00een cadrul atelierului a fost ideea de branding <\/em>a ora\u015fului, idee care vrem s\u0103 o detaliem \u00een cadrul acestei edi\u0163ii.<\/p>\n

Mai mult, anul trecut, am \u00eencercat s\u0103 inaugur\u0103m un prim traseu turistic orientat spre promovarea patrimoniului industrial. Astfel, \u00eentr-o a dou\u0103 faz\u0103 de proiect, \u00een luna septembrie 2015, am avut \u00eent\u00e2lniri cu comunitatea din Anina \u00een cadrul c\u0103rora am \u00eencercat s\u0103 expunem probleme similare reg\u0103site \u00een alte zone ex-miniere din \u0163ar\u0103 \u2013 cazul Petrila (Asocia\u0163ia Plus\/Minus) sau cazul Baia Sprie (Asocia\u0163ia Atelier NOD); am organizat expozi\u0163ii de grafic\u0103 \u015fi arhitectur\u0103; am organizat un tur ghidat de patrimoniu industrial la care au participat \u015fi persoane din Timi\u015foara, Cluj, Baia Mare, Bucure\u015fti, \u015fi o proiec\u0163ie video (videomapping) \u00een spa\u0163iul urban din Anina \u00een colaborare cu Visual SKIN.<\/p>\n

Dup\u0103 cum vezi, ne-am diversificat mult tipul activit\u0103\u0163ilor din Anina, tocmai pentru a promova valorile locale, dar \u015fi pentru a stimula comunitatea local\u0103 \u00eentr-o implicare c\u00e2t mai activ\u0103 \u00een acest sens.<\/p>\n

\u00cen cadrul edi\u0163iei din acest an – \u201eMina de idei Anina: Ateliere creative pentru patrimoniu industrial\u201d <\/strong>\u2013 vrem s\u0103 direc\u0163ion\u0103m discu\u0163iile spre elaborarea unei strategii culturale a ora\u015fului de durat\u0103, prin folosirea \u015fi valorificarea spa\u0163iilor patrimoniale abandonate.<\/p>\n

Interesul pentru proiect a crescut cu fiecare edi\u0163ie, fapt demonstrat \u015fi prin cre\u015fterea num\u0103rului celor implica\u0163i direct \u00een organizarea proiectului, prin num\u0103rul partenerilor atra\u015fi \u00een proiect, dar \u015fi prin num\u0103rul studen\u0163ilor \u015fi a speciali\u015ftilor care revin de la o edi\u0163ie la cealalt\u0103.<\/p>\n

Ciot\u0103u Adriana<\/strong>: Deja acest proiect se afl\u0103 la a III-a edi\u021bie, ce \u00eenseamn\u0103 acest lucru pentru ora\u0219ul Anina, pentru comunitatea local\u0103? Totodat\u0103, ce \u00eenseamn\u0103 acest lucru pentru educa\u021bia studen\u021bilor arhitec\u021bi din Rom\u00e2nia?<\/p>\n

\"13600192_678189992335709_7453786704964087392_n\"<\/a><\/p>\n

Anina; Sursa: pagina de facebook a grupului Mina de Idei Anina. Anina Mine of Ideas <\/em><\/h6>\n

\"13620879_678190502335658_2313452993429868248_n\"<\/a><\/p>\n

Anina 2015; Sursa: pagina de facebook a grupului Mina de Idei Anina. Anina Mine of Ideas; Poza realizata de Ovidiu Micsa<\/em><\/h6>\n

Oana \u021aIGANEA: \u00cen momentul \u00een care se vrea valorificarea patrimoniului local cu impact la nivel economic local, puncte cheie sunt perseveren\u0163a \u015fi continuitatea. Ori, faptul c\u0103 am ajuns la cea de-a treia edi\u0163ie, denot\u0103 tocmai aceste dou\u0103 aspecte \u015fi sper\u0103m s\u0103 aducem contribu\u0163ia noastr\u0103 \u00een acest sens. Faptul ca avem sprijinul administra\u0163iei locale, cre\u015fte impactul prezen\u0163ei noastre \u00een teritoriu, \u00een cadrul comunit\u0103\u0163ii.\u00a0Ora\u015ful Anina<\/strong> face pa\u015fi \u00een direc\u0163ia revitaliz\u0103rii sale economice prin cultur\u0103, prin valorificarea propriei identit\u0103\u0163i locale. Nu este un proces simplu, u\u015for sau imediat. Sper\u0103m s\u0103 contribuim \u015fi noi la acest proces prin activit\u0103\u0163ile propuse \u015fi desf\u0103\u015furate.\u00a0\u00cen ceea ce prive\u015fte procesul de educare al studen\u0163ilor arhitec\u0163i, atelierele<\/em> din Anina abordeaz\u0103 o tematic\u0103 extrem de \u00eent\u00e2lnit\u0103 \u00een realitatea rom\u00e2neasc\u0103, \u00eens\u0103, \u00eenc\u0103 nu complet abordat\u0103 \u00een curricula academic\u0103. Astfel \u00eencerc\u0103m s\u0103 \u00eei familiariz\u0103m cu no\u0163iunile de baz\u0103 privind mo\u015ftenirea industrial\u0103, impactul industrializ\u0103rii \u015fi al deindustrializ\u0103rii \u00een teritoriu, \u00eemping\u00e2nd spre o sensibilizare de abordare a mediului construit \u00een acest sens. Ei sunt arhitec\u0163ii de m\u00e2ine ce se vor confrunta cu realit\u0103\u0163ile post-industriale rom\u00e2ne\u015fti \u00eentr-o propor\u0163ie teritorial numeric superioar\u0103 altor tipologii patrimoniale. Ori, consider\u0103m necesar\u0103, dob\u00e2ndirea unei metodologii de abordare pornind de la recunoa\u015fterea, \u00een\u0163elegerea \u015fi interpretarea semnelor industrializ\u0103rii l\u0103sate \u00een teritoriu p\u00e2n\u0103 la metodologia de interven\u0163ie efectiv\u0103 pe mediul construit.<\/p>\n

Ciot\u0103u Adriana: La finalul acestui scurt interviu ce are rolul de a pune \u00een eviden\u021b\u0103 desf\u0103\u0219urarea proiectului \u201cMina de idei Anina: Ateliere creative pentru patrimoniu industrial\u201d de anul acesta, a\u0219 mai avea o \u00eentrebare:\u00a0<\/strong>Care sunt priorit\u0103\u021bile proiectului de anul acesta?<\/p>\n

Oana \u021aIGANEA: \u00cen acest an dorim s\u0103 cre\u015ftem vizibilitatea asupra diversit\u0103\u0163ii elementelor de patrimoniu industrial care se reg\u0103sesc pe teritoriul Aninei \u015fi s\u0103 cre\u015ftem sensibilitatea \u00een ceea ce prive\u015fte conservarea \u015fi valorificarea unui teritoriu per-ansamblu \u015fi nu doar prin elementele sale simbolice-monumentale.\u00a0Astfel, \u00een cadrul atelierelor creative<\/em>ce se vor desf\u0103\u015fura la Anina \u00een perioada 15 \u2013 24 iulie 2016, vom ini\u0163ia o inventariere fotografic\u0103 a peisajului industrial din Anina experiment\u00e2nd cu diferitele tehnici fotografiere ale patrimoniului industrial propun\u00e2nd\u00a0ateliere de fotografie argentic\u0103, pinhole<\/em> \u0219i\u00a0un experiment de fotografie alternativ\u0103 de\u00a0format mare (Atelierul fotografic<\/em>).<\/p>\n

\"13507066_672971809524194_109602958293299788_n\"<\/a><\/p>\n

\u201eBranding AninA\u201d; Sursa: pagina de facebook a grupului Mina de Idei Anina. Anina Mine of Ideas<\/em><\/h6>\n

Vom organiza unatelier denumit\u00a0\u201eBranding AninA\u201d\u00a0<\/em><\/strong>\u015fi care\u00a0este destinat elevilor de gimnaziu \u015fi liceu din Anina (\u00eentre 10 \u2013 15 participanti pe atelier) av\u00e2nd ca scop realizarea obiectelor tip \u201esuvenir\u201d deja experimentate \u00een edi\u0163ia 2015 a proiectului (ex. plase Anina, tricouri Anina, insigne Anina etc.).\u00a0 Atelierul mai urm\u0103re\u015fte \u015fi realizarea \u00een scar\u0103 1:1 a semnelor identitare specifice diferitelor obiective patrimoniale proiectate \u00een edi\u0163ia anterioar\u0103 (2015) \u015fi inten\u0163ionate a fi oferite membrilor comunit\u0103\u0163ii locale (proprietari ai acestor obiective): casele func\u0163ionarilor StEG, obiective de arhitectur\u0103 monumentale precum Gara sau centrala termoelectric\u0103 si monumentele industriale precum Pu\u0163urile de extrac\u0163ie sau elemente de infrastructur\u0103 industrial\u0103.<\/p>\n

\"13615157_677321242422584_4803756238051217519_n\"<\/a><\/p>\n

Sursa: pagina de facebook a grupului Mina de Idei Anina. Anina Mine of Ideas<\/em><\/h6>\n

\u015ei\u00a0Atelierul Moc\u0103ni\u0163a\u00a0<\/em><\/strong>care are ca obiectiv propunerea de amenajarea peisagistic\u0103 a unui fost traseu de moc\u0103ni\u0163\u0103 de pe teritoriul Aninei \u00een traseu de ciclo-turism, prin interven\u0163ii punctuale minimale: amenaj\u0103ri peisagistice, mobilier \u015fi semnalistic\u0103 specific\u0103 etc. Astfel, se urm\u0103re\u015fte \u015fi \u00eembinarea celor dou\u0103 elemente patrimoniale \u2013 mediul antropic \u015fi natural \u2013 \u00een vederea l\u0103rgirii posibilit\u0103\u0163ilor de interven\u0163ie local\u0103 \u015fi stimularea a turismului cultural.<\/p>\n

Concluziile din cadrul atelierelor vor fi ulterior elaborate \u015fi publicate \u00eentr-un \u201eGhid al peisajului industrial\u201d<\/em>. Prin aceast\u0103 publica\u0163ie vrem s\u0103 realiz\u0103m o eviden\u0163\u0103 exact\u0103 a ceea ce se mai reg\u0103se\u015fte \u00een teritoriul Aninei din punct de vedere a valorii sale patrimoniale, diseminarea informa\u0163iei \u00een acest sens \u015fi linii directoare de interven\u0163ie. Sper\u0103m s\u0103 reu\u015fim s\u0103 prezent\u0103m aceast\u0103 publica\u0163ie \u00een cadrul expozi\u0163iilor de fotografie (cu Anina) care inten\u0163ion\u0103m s\u0103 le organiz\u0103m la Anina, Timi\u015foara \u015fi Alba Iulia.<\/p>\n

\u0162in s\u0103 mai men\u0163ionez c\u0103 \u015fi \u00een acest an avem invita\u0163i din \u0163ar\u0103 \u015fi din str\u0103in\u0103tate care \u015fi-au manifestat \u00een mod deschis interesul privind transform\u0103rile teritoriale \u015fi socio-economice din Anina.<\/p>\n

\u00cen final a\u015f dori doar s\u0103-i men\u0163ionez pe to\u0163i cei implica\u0163i \u00een organizarea aceastei edi\u0163ii a \u201eMinei de idei Anina\u201d fie membri ai echipei principale, reprezentan\u0163i ai partenerilor implica\u0163i \u00een diferitele activit\u0103\u0163i sau speciali\u015fti invita\u0163i:<\/p>\n

dr. arh. Gabriela Pa\u015fcu (FAU Timi\u015foara, Asocia\u0163ia PACT), drd. arh. Ovidiu Mic\u015fa (FAU Timi\u015foara), arh. Marius Barbieri (pre\u015fedinte Asocia\u0163ia Alba Verde), arh. Irina Rotaru, sociolog Simona Z\u0103rnescu, arh. stag. Adrian Dumitru (Asocia\u0163ia Alba Verde), arh. stag. Mihai Veg (LOCAL Alba Iulia), arh. Valentin Mete\u015f (Asocia\u0163ia Atelier NOD, Baia Mare), arheologoc C\u0103lin \u015euteu (Alba Iulia), Paolo Mazzo (F38F Milano), Samuele Piccoli (Stenopeika, Pistoia) antropolog Michele Colleto (Asocia\u0163ia Il Giocattolo, Br\u0103det-Anina), sociolog Irina Georgescu (ActiveWatch, Bucure\u015fti) <\/strong><\/p>\n

Invita\u0163i: dr.arh. Irina Iamandescu (UAUIM Bucure\u015fti, TICCIH Rom\u00e2nia), dr.arh. Irina Tulbure (UAUIM Bucure\u015fti), dr. ist. Mara M\u0103rginean (Cluj Napoca), arh. Doina Antoniuc (Timi\u015foara), dr. arh. Paul Moldovan (FAU Cluj Napoca, ateliercetrei)<\/strong><\/p>\n

Articol scris de Ciot\u0103u Adriana<\/p>\n","protected":false},"excerpt":{"rendered":"

Putul I din Anina.\u00a0 Poster: Maria Mandea (generatia „Mina de idei Anina” 2015); Sursa: pagina de facebook a grupului Mina de Idei Anina. Anina Mine of Ideas Acest interviu realizat de Art Out vine ca \u0219i o completare la noul num\u0103r ce va fi publicat \u00een cur\u00e2nd. Prin aceste articole se dore\u0219te punerea \u00een eviden\u021b\u0103 […]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10252","post","type-post","status-publish","format-standard","hentry","category-articole-art-out","entry","owp-thumbs-layout-horizontal","owp-btn-normal","owp-tabs-layout-horizontal","has-no-thumbnails","has-product-nav"],"yoast_head":"\nInterviu cu Arh. 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