{"id":12191,"date":"2017-07-18T18:52:10","date_gmt":"2017-07-18T18:52:10","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=12191"},"modified":"2017-07-19T10:45:26","modified_gmt":"2017-07-19T10:45:26","slug":"viu-sau-artificial-experimente-pe-operele-maestrului-ionica","status":"publish","type":"post","link":"https:\/\/www.artout.ro\/lounge\/articole-art-out\/viu-sau-artificial-experimente-pe-operele-maestrului-ionica\/","title":{"rendered":"Viu sau artificial? Experimente pe operele maestrului Ionic\u0103"},"content":{"rendered":"

Dup\u0103 ce \u00eentr-un studiu anterior<\/a>\u00a0am prezentat expozi\u0163ia pictorului (profesionist) Ionic\u0103 Todea, am \u00eenceput s\u0103 m\u0103 g\u00e2ndesc la ce confer\u0103 valoare unui artist unei opere de art\u0103. Aceasta datorit\u0103 unui articol ap\u0103rut \u00een data de 29 iunie 2017, despre cum a reu\u015fit un soft de inteligen\u0163\u0103 artificial\u0103 s\u0103 creeze opere de art\u0103, care au fost apreciate mai presus de public, dec\u00e2t cele realizate de oameni. \u00cen plus acest soft a fost \u00een stare chiar s\u0103 creeze un nou stil, original, inexistent, ceea ce \u00een urm\u0103 cu 4 decenii p\u0103rea o fantezie<\/a>. Pornind de la acest articol \u015fi consider\u00e2nd c\u0103 stilul unui artist este dat de tehnica lui \u015fi de ideile pe care le materializeaz\u0103,\u00a0 apar c\u00e2teva probleme, pe care doresc s\u0103 le dezvolt.<\/p>\n

\"Surs\u0103:<\/a>
Surs\u0103: https:\/\/scontent.fsbz1-1.fna.fbcdn.net\/v\/t1.0-9\/19756450_1534024043303952_1232321644318974670_n.jpg?oh=9d54f3eab0cb18c76983aa93fdadf526&oe=5A00FFA2<\/figcaption><\/figure>\n

\u00cen primul r\u00e2nd, pornind de la analiza tehnicii<\/a> artistului Ionic\u0103 Todea, se pot observa caracteristici foarte aparte pe care le-am numit realism-(post)-impresioniste. Am dat aceast\u0103 denumire deoarece subiectele abordate \u015fi modul de redare a lor (\u00een ceea ce privesc scenariile) este realist, iar tehnica este una specific\u0103 impresionismului \u015fi mai ales postimpresionismului. Dar este un artist post-postimpresionist, deoarece curentul, curentele impresioniste s-au finalizat deja la \u00eenceptul secolului XX. Ceea ce presupune aceast\u0103 tehnic\u0103 este accentul pus pe culori, maestrul Ionic\u0103, continu\u00e2nd o lupt\u0103 acerb\u0103 \u00eempotriva realismului fotografic. De\u015fi maestrul folose\u015fte aparatul foto, pentru a realiza poze pornind de la care red\u0103 natura, \u00een momentele \u00een care nu poate s\u0103 creeze opera \u00een bra\u0163ul primitor al acesteia. Astfel este transmis\u0103 impresia l\u0103sat\u0103 de natur\u0103 (=lume, realitate), desenul fiind compensat de culori, realiste \u015fi idealiste \u00een unele cazuri, ceea ce \u00eel diferen\u0163ieaz\u0103 de impresioni\u015fti. Deci \u00een termeni tehnici, scenele sunt reprezentate, artistul folosindu-se de tu\u015fele mari, astfel doar suger\u00e2nd detaliile obiectelor. (Din m\u0103rturisirile artistului unele opere de dimensiuni mai mici, gen 25 x 20 au fost realizate \u00een 15 minute, dar calitatea e aceea\u015fi, ca \u015fi a restului operelor.)<\/p>\n

\u00cen al doilea r\u00e2nd, pornind de la analiza temelor abordate de maestru, se poate observa, c\u0103 \u015fi acestea ofer\u0103 un caracter special lucr\u0103rilor. \u00cen general operele expuse, reprezint\u0103 peisaje (cu natur\u0103 s\u0103lbatic\u0103 sau natur\u0103 rural\u0103), \u00een care pot ap\u0103rea reprezentate \u015fi persoane, devenite personaje, ale c\u0103ror caracteristici sunt doar sugerate. Cel mai specific, \u00eens\u0103, este faptul c\u0103 artistul mereu \u00een procesul pre-crea\u0163ionist, pune un accent central, pe c\u0103utarea punctului, din care va fi surprins peisajul. Astfel subiectele abordate devin originale (de\u015fi tema este unaobicuitar\u0103), fiindc\u0103 maestrul propune pentru fiecare tablou g\u0103sirea unui nou \u201epicior de rai\u201d, \u00eenc\u0103 neexploatat. Iar subiectele abordate, primesc un caracter personal\/intim, de fiecare loc leg\u00e2ndu-l pe artist numeroase amintiri, pe care prin virba\u0163iile tablourilor \u00eencearc\u0103 s\u0103 ni le transmit\u0103 (iar pentru cei care au ocazia \u015fi r\u0103bdarea le transmite \u015fi prin viu grai.)<\/p>\n

\u00cens\u0103 cu ajutorul unui soft<\/a>\u00a0po\u0163i introduce o imagine cu un tablou al maestrului Ionic\u0103, din care acel program scoate tr\u0103s\u0103turile stilistice, pensula\u0163ie, colorit, etc., iar \u00eentroduc\u00e2nd o fotografie oarecare, prin algoritimi, programul transform\u0103 aceea poz\u0103, acel peisaj \u00eentr-o \u201eoper\u0103 de art\u0103\u201d. Astfel c\u0103 stilul, tehnica, a ajuns azi copiabil\u0103 \u00eentr-un mod la care nu ne a\u015fteptam.<\/p>\n

\"img<\/a><\/p>\n

De asemenea dac\u0103 \u00eei cuno\u015fti temele, subiectele abordate, po\u0163i c\u0103uta acestea \u00een natur\u0103, prin prib\u0103girile maestrului, po\u0163i realiza pozele, po\u0163i realiza picturile \u015fi astfel po\u0163i falsifica opere, transmise cu aceea\u015fi vibra\u0163ie, cu acela\u015fi patos.<\/p>\n

\"img<\/a>\"img<\/a><\/p>\n

Pe de alt\u0103 parte, introduc\u00e2nd o oper\u0103 de art\u0103 a maestrului, \u00een acela\u015fi soft, poate fi generat\u0103 o lucrare cu totul nou\u0103, \u00een stil asem\u0103n\u0103tor, dar cu un con\u0163inut diferit. Aceast\u0103 transformare a operei, presupune generarea unul vis, unei fantezii, pornind de la elementele din opera original\u0103. Iar astfel prin modificarea imaginii, a con\u0163inutului, se modific\u0103 mesajul, informa\u0163ia \u015fi astfel \u015fi tr\u0103irea dorit\u0103 de a fi transmis\u0103 de maestru. Deci ne afl\u0103m \u00een fa\u0163a unei falsific\u0103ri de data asta nu cu scopul de a crea o oper\u0103 nou\u0103 pornind de la o imagine personal\u0103, pentru a o prezenta ca fiind a pictorului Ionic\u0103 Todea, ci cu scopul de a modifica o lucrare de a lui \u015fi de a o prezenta drept a nostr\u0103.<\/p>\n

\"img<\/a>\"img<\/a><\/p>\n

Astfel apare intrebarea, ce ofer\u0103 unei opere de art\u0103 adev\u0103rata valoare? \u00cen contextul actual se poate observa c\u0103 nu stilul, tehnica \u015fi nici mesajul transmis! S-ar putea crede c\u0103 tr\u0103irea este ceea ce ofer\u0103 valoare. \u00cens\u0103 nu tr\u0103irea pe care o sim\u0163im noi publicul, fiindc\u0103 aceasta este oferit\u0103 \u015fi de o oper\u0103 creat\u0103 de o inteligen\u0163\u0103 artificial\u0103, ci tr\u0103irea cu care a fost realizat\u0103. C\u00e2nd maestrul realizeaz\u0103 picturile, nu are un scop, ci are o tr\u0103ire pe care dore\u015fte s\u0103 o transmit\u0103, iar rezultatul\u00a0 este plin de via\u0163\u0103. Poate c\u0103 operele create de o inteligen\u0163\u0103 artificial\u0103, sunt mai apreciate de public, \u00eens\u0103 nu au aceea\u015fi tr\u0103ire ca una creat\u0103 de om.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VARGA Istv\u00e1n Attila, istoric \u015fi teoretician al artelor vizuale.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dup\u0103 ce \u00eentr-un studiu anterior\u00a0am prezentat expozi\u0163ia pictorului (profesionist) Ionic\u0103 Todea, am \u00eenceput s\u0103 m\u0103 g\u00e2ndesc la ce confer\u0103 valoare unui artist unei opere de art\u0103. Aceasta datorit\u0103 unui articol ap\u0103rut \u00een data de 29 iunie 2017, despre cum a reu\u015fit un soft de inteligen\u0163\u0103 artificial\u0103 s\u0103 creeze opere de art\u0103, care au fost apreciate […]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12191","post","type-post","status-publish","format-standard","hentry","category-articole-art-out","entry","owp-thumbs-layout-horizontal","owp-btn-normal","owp-tabs-layout-horizontal","has-no-thumbnails","has-product-nav"],"yoast_head":"\nViu sau artificial? Experimente pe operele maestrului Ionic\u0103 - Art Out Lounge<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artout.ro\/lounge\/articole-art-out\/viu-sau-artificial-experimente-pe-operele-maestrului-ionica\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Viu sau artificial? Experimente pe operele maestrului Ionic\u0103 - Art Out Lounge\" \/>\n<meta property=\"og:description\" content=\"Dup\u0103 ce \u00eentr-un studiu anterior\u00a0am prezentat expozi\u0163ia pictorului (profesionist) Ionic\u0103 Todea, am \u00eenceput s\u0103 m\u0103 g\u00e2ndesc la ce confer\u0103 valoare unui artist unei opere de art\u0103. 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