{"id":5401,"date":"2014-07-02T11:42:58","date_gmt":"2014-07-02T11:42:58","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=5401"},"modified":"2014-07-08T11:50:32","modified_gmt":"2014-07-08T11:50:32","slug":"lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier","status":"publish","type":"post","link":"https:\/\/www.artout.ro\/lounge\/stiri\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\/","title":{"rendered":"LVMEN EST OMEN Arta, istoria \u0219i spiritualitatea iluminatului artificial 3 iulie \u2013 31 august 2014, Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n Sala Foaier"},"content":{"rendered":"

Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n invit\u0103 publicul, joi, 3 iulie 2014, ora 19:00<\/strong>, la Sala Foaier, unde va avea loc vernisajul expozi\u021biei LVMEN EST OMEN<\/strong>.<\/p>\n

Invita\u021bi:<\/p>\n

E.S. Jean-Hubert Lebet, Ambasadorul Elve\u021biei \u00een Rom\u00e2nia<\/p>\n

Dl. Pierre Maudet, Ministrul Internelor \u0219i Economiei Republicii \u0219i Cantonului Geneva<\/p>\n

Dr. Virgil \u0218tefan Ni\u021bulescu, Director General al Muzeului Na\u021bional a \u021a\u0103ranului Rom\u00e2n<\/p>\n

Evenimentul ini\u021biat de dr. Laurent Chrzanovski, este rezultatul colabor\u0103rii dintre numero\u0219i parteneri, printre care: Muzeul Etnografic al Transilvaniei (Cluj-Napoca), Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n (Bucure\u0219ti), Muzeul Na\u021bional Brukenthal (Sibiu), Muzeul Civiliza\u021biei Dacice \u0219i Romane (Deva), Institutul de Cercet\u0103ri Eco-muzeale (Tulcea), Muzeul Astra (Sibiu) \u0219i Muzeul de Art\u0103 \u0219i Istorie din Geneva.<\/p>\n

Expozi\u021bia exprim\u0103 bog\u0103\u021bia \u0219i evolu\u021bia corpurilor de iluminat pe cele cinci continente, prin intermediul unei selec\u021bii de fotografii \u0219i documente de epoc\u0103 \u0219i a mai mult de trei sute de piese, din Antichitate \u0219i p\u00e2n\u0103 la apari\u021bia electricit\u0103\u021bii. L\u0103mpile, lanternele \u0219i candelabrele prezentate publicului \u00ee\u0219i reg\u0103sesc dimensiunea global\u0103, care cuprinde func\u021bia practic\u0103, estetic\u0103 \u0219i c\u00e2teodat\u0103 chiar pe cea ludic\u0103.<\/p>\n

Organizat\u0103 pe patru sec\u021biuni, expozi\u021bia permite descoperirea rolului luminii \u00een via\u021ba cotidian\u0103, religioas\u0103, profesional\u0103, \u0219i chiar festiv\u0103, deschiz\u00e2nd, deopotriv\u0103, u\u0219a spre o reflec\u021bie mai profund\u0103 asupra valorii simbolice a acesteia, dar \u0219i asupra impactului social al iluminatului artificial.<\/p>\n

Bog\u0103\u021bia pu\u021bin cunoscut\u0103 a colec\u021biei de corpuri de iluminat p\u0103strate \u00een Rom\u00e2nia, din epoca dacic\u0103 p\u00e2n\u0103 \u00een perioada modern\u0103, completat\u0103 de un aport intercontinental al colec\u021biilor MN\u021aR \u0219i ASTRA, dar \u0219i de capodoperele mai multor muzee \u0219i ale colec\u021biilor particulare, permite organizatorilor realizarea unui parcurs muzeografic diacronic inedit.<\/p>\n

Interactivitatea multimedia a expozi\u021biei a devenit posibil\u0103 datorit\u0103 Swiss Web Academy (Sibiu). Cu ajutorul unei tablete sau a unui smartphone, publicul poate avea acces la secven\u021be filmate, ilustr\u00e2nd, prin intermediul imaginilor realizate de operatorul Claudiu Moisescu, modul de func\u021bionare al celor mai reprezentative obiecte \u0219i instala\u021bii de iluminat.<\/p>\n

Expozi\u021bia, va putea fi vizitat\u0103 la Sala Foaier, p\u00e2n\u0103 la 31 august 2014<\/strong>, de mar\u021bi p\u00e2n\u0103 duminic\u0103, \u00eentre orele 10 – 18.<\/p>\n

Parteneri media:<\/strong> Radio Rom\u00e2nia<\/a>, Radio Rom\u00e2nia Actualit\u0103\u021bi<\/a>, Radio Rom\u00e2nia Cultural<\/a>, Radio Rom\u00e2nia Interna\u021bional<\/a>, Radio Rom\u00e2nia Bucure\u0219ti Fm<\/a>, RFI<\/a>, Zeppelin<\/em><\/a>, <\/em>Igloo<\/em><\/a>,<\/em> Arhitext<\/em><\/a>, Arhitectura<\/a>, Observator cultural<\/em><\/a>, <\/em>Cultura<\/em><\/a>, BeWhere!<\/a>, TV City<\/a>, LiterNet.ro<\/a>, HotNews.ro<\/a>, webpr.ro<\/a>, ziare.com<\/a>, 24Fun<\/a>, Port.ro<\/a>, b365.ro<\/a>, onlinegallery.ro<\/a>, modernism.ro<\/a>, www.ArtClue.net<\/a>, www.artline.ro<\/a>, www.artout.ro<\/a>, www.artactmagazine.ro<\/a>, www.decosieco.ro<\/a>, www.daciccool.ro<\/a>, www.inparc.ro<\/a>, getlokal.ro<\/a>, semnebune.ro<\/a>, www.cooperativaurbana.ro<\/a>, www.cooperativatraditionala.ro<\/a>, www.gratuitor.ro<\/a>, www.comunicatedepresa.ro<\/a>, Terra Magazin<\/a>, www.mediaiq.ro<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n invit\u0103 publicul, joi, 3 iulie 2014, ora 19:00, la Sala Foaier, unde va avea loc vernisajul expozi\u021biei LVMEN EST OMEN. Invita\u021bi: E.S. Jean-Hubert Lebet, Ambasadorul Elve\u021biei \u00een Rom\u00e2nia Dl. Pierre Maudet, Ministrul Internelor \u0219i Economiei Republicii \u0219i Cantonului Geneva Dr. Virgil \u0218tefan Ni\u021bulescu, Director General al Muzeului Na\u021bional a \u021a\u0103ranului […]<\/p>\n","protected":false},"author":1,"featured_media":5402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[14],"tags":[],"class_list":["post-5401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri","entry","has-media","owp-thumbs-layout-horizontal","owp-btn-normal","owp-tabs-layout-horizontal","has-no-thumbnails","has-product-nav"],"yoast_head":"\nLVMEN EST OMEN Arta, istoria \u0219i spiritualitatea iluminatului artificial 3 iulie \u2013 31 august 2014, Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n Sala Foaier - Art Out Lounge<\/title>\n<meta name=\"description\" content=\"Cu aceast\u0103 nou\u0103 expozi\u0163ie, Muzeul Etnografic al Transilvaniei (MET, Cluj-Napoca) \u00een colaborare avec le Complexul Muzeal ASTRA (Sibiu), Muzeul Na\u0163ional al \u0162\u0103ranului Rom\u00e2n (MNTR Bucure\u015fti) \u015fi Centrul de cercet\u0103ri eco-muzeale (ICEM Tulcea), cu sprijinul Muzeului de art\u0103 \u015fi istorie din Geneva \u015fi cu sprijinul a numero\u015fi parteneri, \u00eei redau l\u0103mpii dimensiumnea sa global\u0103 de-a lungul timpurilor \u015fi al continentelor, prezent\u00e2nd publicului mai mult de trei sute de piese \u00eenso\u0163ite de o selec\u0163ie de fotografii \u015fi documente de epoc\u0103. Bog\u0103\u0163ia pu\u0163in cunoscut\u0103 a colec\u0163iei de corpuri de iluminat p\u0103strate \u00een Rom\u00e2nia, din epoca dacic\u0103 p\u00e2n\u0103 \u00een perioada modern\u0103, completat\u0103 de un aport intercontinental al colec\u0163iilor ASTRA \u015fi MNTR, dar \u015fi de capodoperele mai multor muzee \u015fi al colec\u0163iilor particulare, ne permite s\u0103 propunem un parcurs muzeografic diacronic inedit. Corpul de iluminat \u00ee\u015fi reg\u0103se\u015fte aici densitatea istoric\u0103, dar \u015fi importan\u0163a social\u0103 \u015fi religioas\u0103, permi\u0163\u00e2ndu-ne s\u0103 \u00een\u0163elegem rolul jucat de iluminatul artificial \u00een diferitele activit\u0103\u0163i umane \u015fi sfidarea pe care o reprezint\u0103 \u015fi ast\u0103zi ob\u0163inerea unei lumini de calitate. Ca atare, iluminatul artificial \u015fi diferitele sale suporturi constitue un element primordial pentru \u00een\u0163elegerea at\u00e2t a societ\u0103\u0163ilor \u015fi a lumilor care ne-au precedat c\u00e2t \u015fi a originilor propriilor noastre obi\u015fnuin\u0163e cotidiene. \u00cen fine, \u00eentr-o lume unde, mai mult de dou\u0103 miliarde de fiin\u0163e umane nu au acces la lumina electric\u0103 \u00een timp ce \u00een alte p\u0103r\u0163i, chiar aceast\u0103 lumin\u0103, atunci c\u00e2nd este prost gestionat\u0103, devine o nou\u0103 cauz\u0103 de poluare, expozi\u0163ia se dore\u015fte, de asemenea, a fi \u00een centrul unei reflec\u0163ii mai profunde, atr\u0103g\u00e2ndu-ne aten\u0163ia asupra impactului social al mijlocului care ne permite continuarea activit\u0103\u0163ilor \u2026 la c\u0103derea nop\u0163ii. \u00ab Am intrat \u00een era luminii administrate. Singurul nostru rol este acela de a \u00eenv\u00e2rti un comutator. Noii nu mai suntem dec\u00e2t subiectul mecanic al unui gest mecanic. Noi nu putem profita de acest act pentru a ne constitui, \u00eentr-un orgoliu legitim, ca subiect al verbului a aprinde \u00bb. (Gaston Bachelard, Flac\u0103ra unei lum\u00e2n\u0103ri, 1961).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artout.ro\/lounge\/stiri\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LVMEN EST OMEN Arta, istoria \u0219i spiritualitatea iluminatului artificial 3 iulie \u2013 31 august 2014, Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n Sala Foaier - Art Out Lounge\" \/>\n<meta property=\"og:description\" content=\"Cu aceast\u0103 nou\u0103 expozi\u0163ie, Muzeul Etnografic al Transilvaniei (MET, Cluj-Napoca) \u00een colaborare avec le Complexul Muzeal ASTRA (Sibiu), Muzeul Na\u0163ional al \u0162\u0103ranului Rom\u00e2n (MNTR Bucure\u015fti) \u015fi Centrul de cercet\u0103ri eco-muzeale (ICEM Tulcea), cu sprijinul Muzeului de art\u0103 \u015fi istorie din Geneva \u015fi cu sprijinul a numero\u015fi parteneri, \u00eei redau l\u0103mpii dimensiumnea sa global\u0103 de-a lungul timpurilor \u015fi al continentelor, prezent\u00e2nd publicului mai mult de trei sute de piese \u00eenso\u0163ite de o selec\u0163ie de fotografii \u015fi documente de epoc\u0103. Bog\u0103\u0163ia pu\u0163in cunoscut\u0103 a colec\u0163iei de corpuri de iluminat p\u0103strate \u00een Rom\u00e2nia, din epoca dacic\u0103 p\u00e2n\u0103 \u00een perioada modern\u0103, completat\u0103 de un aport intercontinental al colec\u0163iilor ASTRA \u015fi MNTR, dar \u015fi de capodoperele mai multor muzee \u015fi al colec\u0163iilor particulare, ne permite s\u0103 propunem un parcurs muzeografic diacronic inedit. Corpul de iluminat \u00ee\u015fi reg\u0103se\u015fte aici densitatea istoric\u0103, dar \u015fi importan\u0163a social\u0103 \u015fi religioas\u0103, permi\u0163\u00e2ndu-ne s\u0103 \u00een\u0163elegem rolul jucat de iluminatul artificial \u00een diferitele activit\u0103\u0163i umane \u015fi sfidarea pe care o reprezint\u0103 \u015fi ast\u0103zi ob\u0163inerea unei lumini de calitate. Ca atare, iluminatul artificial \u015fi diferitele sale suporturi constitue un element primordial pentru \u00een\u0163elegerea at\u00e2t a societ\u0103\u0163ilor \u015fi a lumilor care ne-au precedat c\u00e2t \u015fi a originilor propriilor noastre obi\u015fnuin\u0163e cotidiene. \u00cen fine, \u00eentr-o lume unde, mai mult de dou\u0103 miliarde de fiin\u0163e umane nu au acces la lumina electric\u0103 \u00een timp ce \u00een alte p\u0103r\u0163i, chiar aceast\u0103 lumin\u0103, atunci c\u00e2nd este prost gestionat\u0103, devine o nou\u0103 cauz\u0103 de poluare, expozi\u0163ia se dore\u015fte, de asemenea, a fi \u00een centrul unei reflec\u0163ii mai profunde, atr\u0103g\u00e2ndu-ne aten\u0163ia asupra impactului social al mijlocului care ne permite continuarea activit\u0103\u0163ilor \u2026 la c\u0103derea nop\u0163ii. \u00ab Am intrat \u00een era luminii administrate. Singurul nostru rol este acela de a \u00eenv\u00e2rti un comutator. Noii nu mai suntem dec\u00e2t subiectul mecanic al unui gest mecanic. Noi nu putem profita de acest act pentru a ne constitui, \u00eentr-un orgoliu legitim, ca subiect al verbului a aprinde \u00bb. (Gaston Bachelard, Flac\u0103ra unei lum\u00e2n\u0103ri, 1961).\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.artout.ro\/lounge\/stiri\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\/\" \/>\n<meta property=\"og:site_name\" content=\"Art Out Lounge\" \/>\n<meta property=\"article:published_time\" content=\"2014-07-02T11:42:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-07-08T11:50:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.artout.ro\/lounge\/wp-content\/uploads\/2014\/07\/afis_LVMEN-EST-OMEN.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2119\" \/>\n\t<meta property=\"og:image:height\" content=\"3000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"adminart1\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scris de\" \/>\n\t<meta name=\"twitter:data1\" content=\"adminart1\" \/>\n\t<meta name=\"twitter:label2\" content=\"Timp estimat pentru citire\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/stiri\\\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/stiri\\\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\\\/\"},\"author\":{\"name\":\"adminart1\",\"@id\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/#\\\/schema\\\/person\\\/694ebdf3dcd6a599566a6c01d745d1f8\"},\"headline\":\"LVMEN EST OMEN Arta, istoria \u0219i spiritualitatea iluminatului artificial 3 iulie \u2013 31 august 2014, Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n Sala Foaier\",\"datePublished\":\"2014-07-02T11:42:58+00:00\",\"dateModified\":\"2014-07-08T11:50:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/stiri\\\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\\\/\"},\"wordCount\":484,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/stiri\\\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/wp-content\\\/uploads\\\/2014\\\/07\\\/afis_LVMEN-EST-OMEN-scaled.jpg\",\"articleSection\":[\"\u0218tiri\"],\"inLanguage\":\"ro-RO\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/stiri\\\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/stiri\\\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\\\/\",\"url\":\"https:\\\/\\\/www.artout.ro\\\/lounge\\\/stiri\\\/lvmen-est-omen-arta-istoria-si-spiritualitatea-iluminatului-artificial-3-iulie-31-august-2014-muzeul-national-al-taranului-roman-sala-foaier\\\/\",\"name\":\"LVMEN EST OMEN Arta, istoria \u0219i spiritualitatea iluminatului artificial 3 iulie \u2013 31 august 2014, Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n Sala Foaier - 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Ca atare, iluminatul artificial \u015fi diferitele sale suporturi constitue un element primordial pentru \u00een\u0163elegerea at\u00e2t a societ\u0103\u0163ilor \u015fi a lumilor care ne-au precedat c\u00e2t \u015fi a originilor propriilor noastre obi\u015fnuin\u0163e cotidiene. \u00cen fine, \u00eentr-o lume unde, mai mult de dou\u0103 miliarde de fiin\u0163e umane nu au acces la lumina electric\u0103 \u00een timp ce \u00een alte p\u0103r\u0163i, chiar aceast\u0103 lumin\u0103, atunci c\u00e2nd este prost gestionat\u0103, devine o nou\u0103 cauz\u0103 de poluare, expozi\u0163ia se dore\u015fte, de asemenea, a fi \u00een centrul unei reflec\u0163ii mai profunde, atr\u0103g\u00e2ndu-ne aten\u0163ia asupra impactului social al mijlocului care ne permite continuarea activit\u0103\u0163ilor \u2026 la c\u0103derea nop\u0163ii. \u00ab Am intrat \u00een era luminii administrate. Singurul nostru rol este acela de a \u00eenv\u00e2rti un comutator. Noii nu mai suntem dec\u00e2t subiectul mecanic al unui gest mecanic. Noi nu putem profita de acest act pentru a ne constitui, \u00eentr-un orgoliu legitim, ca subiect al verbului a aprinde \u00bb. 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Bog\u0103\u0163ia pu\u0163in cunoscut\u0103 a colec\u0163iei de corpuri de iluminat p\u0103strate \u00een Rom\u00e2nia, din epoca dacic\u0103 p\u00e2n\u0103 \u00een perioada modern\u0103, completat\u0103 de un aport intercontinental al colec\u0163iilor ASTRA \u015fi MNTR, dar \u015fi de capodoperele mai multor muzee \u015fi al colec\u0163iilor particulare, ne permite s\u0103 propunem un parcurs muzeografic diacronic inedit. Corpul de iluminat \u00ee\u015fi reg\u0103se\u015fte aici densitatea istoric\u0103, dar \u015fi importan\u0163a social\u0103 \u015fi religioas\u0103, permi\u0163\u00e2ndu-ne s\u0103 \u00een\u0163elegem rolul jucat de iluminatul artificial \u00een diferitele activit\u0103\u0163i umane \u015fi sfidarea pe care o reprezint\u0103 \u015fi ast\u0103zi ob\u0163inerea unei lumini de calitate. Ca atare, iluminatul artificial \u015fi diferitele sale suporturi constitue un element primordial pentru \u00een\u0163elegerea at\u00e2t a societ\u0103\u0163ilor \u015fi a lumilor care ne-au precedat c\u00e2t \u015fi a originilor propriilor noastre obi\u015fnuin\u0163e cotidiene. \u00cen fine, \u00eentr-o lume unde, mai mult de dou\u0103 miliarde de fiin\u0163e umane nu au acces la lumina electric\u0103 \u00een timp ce \u00een alte p\u0103r\u0163i, chiar aceast\u0103 lumin\u0103, atunci c\u00e2nd este prost gestionat\u0103, devine o nou\u0103 cauz\u0103 de poluare, expozi\u0163ia se dore\u015fte, de asemenea, a fi \u00een centrul unei reflec\u0163ii mai profunde, atr\u0103g\u00e2ndu-ne aten\u0163ia asupra impactului social al mijlocului care ne permite continuarea activit\u0103\u0163ilor \u2026 la c\u0103derea nop\u0163ii. \u00ab Am intrat \u00een era luminii administrate. Singurul nostru rol este acela de a \u00eenv\u00e2rti un comutator. Noii nu mai suntem dec\u00e2t subiectul mecanic al unui gest mecanic. Noi nu putem profita de acest act pentru a ne constitui, \u00eentr-un orgoliu legitim, ca subiect al verbului a aprinde \u00bb. 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