{"id":8616,"date":"2015-08-01T09:48:04","date_gmt":"2015-08-01T09:48:04","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=8616"},"modified":"2015-08-19T09:48:34","modified_gmt":"2015-08-19T09:48:34","slug":"interview-soft-revolution-zine-culture","status":"publish","type":"post","link":"https:\/\/www.artout.ro\/lounge\/articole-art-out\/interview-soft-revolution-zine-culture\/","title":{"rendered":"Interview: Soft Revolution – zine culture"},"content":{"rendered":"

1. Hello, welcome on Teen Art Out! I hope it’s a nice day for you.<\/strong><\/p>\n

Let’s start from the beginning: how was the idea of starting Soft Revolution born? At first glance, one could say that Italy is somehow static when it comes to \u201czines\u201d.<\/strong><\/p>\n

MARTA: A few years ago, our friend Margherita Ferrari wrote to us, pointing out that there was no Italian magazine for girls, considered as beings capable of thinking. We thought about building up a project, taking inspiration from international magazines such as Bitch<\/em> or Bust<\/em>.<\/p>\n

Its \u201czine\u201d-ish nature has been partially lost with the course of time, but we’ve published physical zines as well, which better represent the original project.<\/p>\n

The whole \u201czine\u201d culture was never big in Italy, especially if we talk about feminist products, but it looks like the situation is evolving, since the Internet has introduced more people to this world.<\/p>\n

2. It might sound trite, but where does your name come from? For revolutionary magazines even\u00a0 a simple title can become a source of strength. By the way, the postscript \u201cgirls that should calm down\u201d perfectly sums up the politics of your written pieces.<\/strong><\/p>\n

VALERIA: Finally someone asks us! This question is usually forgotten. It\u2019s the title of a song from the Canadian band Stars (form the album \u201cSet Yourself on Fire\u201d). A song the three of us loved and that later ended up representing fully what we do. You know, \u201cchase the demons out of town\u201d and that sort of things.<\/p>\n

\u201cGirls that should calm down\u201dis a self-deprecating way to describe ourselves and, now, the rest of the editorial staff. We have no interest in creating barren laments regarding what we observe in society and which we want to change: we\u2019re for action and bravery, respect and awareness. They wish we were calm, but we have no intention of doing that. That\u2019s all.<\/p>\n

3. \u00a0 Is there a specific reason why you think that this sort of (not only) feminist activity is finally happening in Italy too? You\u2019ve been talking a lot about \u201cfeminism in pop culture\u201d on your zine: could this be, in the good and in the bad, one of the most effective instruments to favour a potential and consequent approach to a more radical type of feminism?<\/strong><\/p>\n

MARTA: I guess there are some who like to believe that the resurrection of feminism derives strictly from academies and not from \u201cpop feminism\u201d. I wonder if it\u2019s really that unacceptable that many people are getting close to feminism through, say, Beyonc\u00e9, and then start getting interested in the movement itself and what it truly means.<\/p>\n

In Italy everything is slowed down, but I think that more and more young women are getting tired of being pushed down and living trapped inside the patriarchy\u2019s limits. I also think that the constant access to the Internet and to English-speaking media is hugely responsible for this slow awakening.<\/p>\n

4. What’s your main inspiration? Be it a way of thinking (on which SoftRev was based) or a celebrity; an historical figure or a place…<\/strong><\/p>\n

VALERIA: \u201cSome people say little girls should be seen and not heard, but I think Oh bondage up yours\u201d – that’s a pretty clear sum-up. Poly Styrene (from X Ray Spex) said it right.<\/p>\n

5. \u00a0 Likewise, what do you think is the biggest source of influence for today\u2019s Italian youth? Or why the queer feminist journalism movement is a rather unseen pearl?<\/strong><\/p>\n

VALERIA: From what I can see, TV still has the biggest impact on young people. TV and Facebook. My impression is that queer and feminism journalism works mostly online, but, unless it is aggressively shown on social networks, I fear it will always keep a limited visibility to the mainstream public. In Italy young people are less used to looking on the Internet for something that represents them; that can talk directly to them and that is about them.<\/p>\n

6. \u00a0 What\u2019s the book, or any other kind of art form, that has been essential to your decision of becoming active and starting this project?<\/strong><\/p>\n

VALERIA: As we\u2019ve said, girls magazines published in the USA, such as Sassy<\/em> or Bitch <\/em>have been decisive. They were, and are, editorials that go straight to the reader\u2019s heart, touching usually ignored topics (starting from body and sexuality), making you feel less alone, less stupid, and more understood.<\/p>\n

7. \u00a0 What\u2019s the issue, the topic, the article or the interview you\u2019re the most proud of? The one which had the biggest impact?<\/strong><\/p>\n

MARTA: It\u2019s an impossible choice. We published more than 1200 articles and there are a lot which I deeply loved. Among the ones I wrote, the one that had the biggest impact was \u201cBeing Fat In Summer\u201d, but my favourite has been the interview I did with my idol, Bianca Pitzorno [an Italian writer,]<\/p>\n

8. \u00a0 Is there anything that you haven\u2019t done yet, but that you can\u2019t wait to face, magazine-wise? Who would you love to work with, if anything was possible?<\/strong><\/p>\n

VALERIA: There are a lot of Italian figures, as well as international ones, we\u2019d like to work with, meet or even simply\u00a0 see from a distance. I\u2019d love to meet some \u201ccolleagues\u201d:Tavi Gevinson or Hazel Cills or Mey (Trans editor from Autostraddle<\/em>), just to name a few.<\/p>\n

MARTA: Roxane Gay, even if I don\u2019t think I\u2019d come out alive.<\/p>\n

9.\u00a0 What is it like, the typical SR staff daily routine?<\/strong><\/p>\n

VALERIA: We don\u2019t really have a physical place where we meet to work together. We live in London and in Turin. The rest of the staff lives in France, UK, Australia, Germany, and Italy. We communicate through emails or social networks. Our smartphones are always beep-ing, basically.<\/p>\n

I personally work on SR as soon as I have a free moment from my other job (at a communication agency).<\/p>\n

10. \u00a0 In your experience, what are the first small steps that anyone can make in order to create something that will manage to fit in into both the feminist and wide public<\/em> community (reached by SoftRev many times)? Or, on the contrary, do you think that the borders, as bell hooks states, are the best place for the resistance?<\/strong><\/p>\n

MARTA: Firstly, I think that any form of activism is valid. Personally, I find satisfying trying to reach a wide public as possible, but I\u2019m not sure that this doesn\u2019t place us on the borders anyway.<\/p>\n

To anyone who wants to start a feminist project that is thought to reach a public (and not only other feminists), I\u2019d start by saying to ponder if they think they can do it. I don\u2019t think it\u2019ll come as a surprise if I say that at least once a week we get an email or a comment that are offensive and that make me want to smash everything and close our website. A wider public is also more hostile.<\/p>\n

VALERIA: Anyhow, if you think you want to jump into this, starting a community is the first thing. Find people like you, debate on topics that you usually can\u2019t discuss but that are close to your heart, and start including strangers into this circle. Be curious, friendly and, mostly, have fun. Light words will be helpful when everything will be shitty, as Marta said.<\/p>\n


\n12. \u00a0 What are the most difficult sides of a magazine that wants to educate, in\/form, analyze and destroy many of the clich\u00e9s and taboos of the modern Italian (and international) culture?<\/strong><\/p>\n

VALERIA: Sometimes, very often, we hit sensitive nerves, we denounce social phenomena that are, by now, so crystallized inside people\u2019s minds that they bring onto us, almost automatically, criticism and jokes (on the lines of \u201cwhat the heck are you saying?\u201d), even from some of our most affectionate readers.<\/p>\n

This can make you very insecure, especially if an article on which you\u2019ve put a lot of effort receives a lot of negative criticism. But we\u2019ve learnt to gain strength from these moments, making our discussing abilities grow, in order to be able to withstand confrontations as much as possible, and to manage to cut down even the most intransigent souls.<\/p>\n

13. \u00a0 How do you interpret the feedback you\u2019ve gotten, and are still getting, from the Italian public during the course of this adventure?<\/p>\n

VALERIA: It\u2019s essentially positive feedback, and this, apart from making us very happy, is enough to pay back for the huge effort that sits behind the Soft Revolution System. We\u2019ve made new friends, met many people who share our ideas and views on society. Considering the fact that we\u2019ve started this project in order to feel \u201cless isolated\u201d from our little town realities, I\u2019d say it\u2019s really a good moment.<\/p>\n

Lastly, I’d like to thank you for the huge work you do: it’s essential to say the least. Thank you so much for your time! Have a nice day.<\/strong><\/p>\n

Thank you!<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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